Henry Muldrow of Stichting Culturele Droomwevers  writes (Henry is a major client):
"Maestraccio has been the main arranger for Stichting Culturele Droomwevers for many years. He creates the original piano and instrumental parts for hundreds of Droomwevers children's songs and songs based on texts by Dutch and Surinamese poets. He is skilled in a wide range of musical styles, including classical, pop, blues, flamenco, samba and jazz. Maestraccio is both a reliable first-class arranger and an experienced composer, accompanist and illustrator. He is worth his weight in gold!"
Yannick and Dave of Tea, Earl Grey, Hot!  write:
"Maestraccio is a great guy !We needed a tune for our new Star Trek fan podcast, so we asked if he'd be interested. He asked us a few questions, understood what we wanted, and came back a few days later with an awesome track with wich we fell in love immediately. We asked for a few changes, which he implemented very quickly, and provided us with everything we needed to use the track on our show. All in all, he is a great guy, always happy to talk about music, and he's got a weird sense of humor, which is always a "plus" in my book !"
Willy of Cabaret Kamizool  writes:
"When I felt like our cabaret music was getting a little "stuck", I contacted Maestraccio. My piano and guitar accompaniments were starting to sound a bit too similar. Maestraccio helped our group get more variation in the music. Without changing the melody of a song, he changed the accompaniment and the second and third voices. He made the music more lively, fresher, different from how I would do it, could do it, without making our group a completely different group. Maestraccio brought my music (and with it the group) to a higher level, even when I thought I couldn't do it. He had a very good feel for what suited us and what didn't. On behalf of Cabaret Kamizool, thank you Maestraccio!"
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and further (Willy talks a bit much 🤭 ):
"Maestraccio helps me arrange music for our choir. He initially reviewed my work and corrected all the errors. Because I want to learn, I now receive extensive advice to continue on my own. Sometimes, it's two A-four sheets full! I still make a lot of mistakes (unfortunately). Ultimately, beautiful arrangements emerge. He is always friendly and doesn't seem to mind repeating things. How difficult such an arrangement sometimes is, Maestraccio gives me the feeling that it will be alright."
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writes: